The Apprentice Premieres in Iceland A Captivating Dive into Power and Politics

The Premiere of “The Apprentice” in Iceland: A Cinematic Exploration of Power and Politics

The film “The Apprentice,” directed by Ali Abbasi, recently premiered in Iceland, capturing the attention of audiences with its intricate storytelling and compelling cinematic techniques. The screenplay, written by journalist Gabriel Sherman, delves into the life and influence of Donald Trump, focusing on his relationship with the infamous lawyer Roy Cohn between 1973 and 1986.

The Creative Minds Behind “The Apprentice”

Gabriel Sherman, known for his investigative journalism in New York Magazine, Vanity Fair, and NBC News, brings a wealth of knowledge to the film. He is also the author of “The Loudest Voice in the Room,” a biography of Roger Ailes, the former CEO of Fox News and advisor to Presidents Nixon, Reagan, and George H.W. Bush. Ali Abbasi, an Iranian-born director, previously made waves with his films “Border” and “Holy Spider,” the latter being a gripping tale based on true events about a serial killer in Iran.

Plot and Cinematic Style

“The Apprentice” centers around the dynamic and often controversial relationship between Donald Trump, portrayed by Sebastian Stan, and Roy Cohn, played by Jeremy Strong. The narrative begins with a young Trump seeking legal assistance from Cohn to resolve a lawsuit filed by the Department of Justice, accusing Trump’s company of racial discrimination in housing rentals. This partnership significantly impacts Trump’s rise in power and influence, showcasing a transformation from an ambitious learner to a formidable master.

The film draws inspiration from the acclaimed television series “Succession,” particularly in its use of handheld camera work, evoking a documentary feel. This style immerses viewers in the unfolding events, offering a fly-on-the-wall perspective. As the film progresses, the cinematography evolves, transitioning from the grainy film stock of the 1970s to the distinct texture of VHS tapes in the 1980s. This visual journey mirrors Trump’s growing dominance, as his character is increasingly portrayed in expansive frames, symbolizing his expanding empire.

Critique of the Film’s Pacing and Emotional Impact

While “The Apprentice” excels in its visual storytelling and rapid narrative pace, it occasionally sacrifices emotional depth for brevity. Some scenes could benefit from extended exploration to fully convey their emotional weight. The film’s editing shifts abruptly between intense and lighter moments, potentially diluting the emotional core of the story. However, the film’s lively soundtrack, featuring both classic hits and an original score by Martin Dirkov, enhances its overall appeal.

Performances and Thematic Elements

The performances of Jeremy Strong and Sebastian Stan are noteworthy, infusing their characters with a darkly comedic edge. Despite their villainous portrayals, the film leaves no doubt about their moral alignment; both are depicted as complex yet unequivocal antagonists. The relationship between Trump and Cohn serves as the film’s most intriguing element, with Cohn embodying a post-war mentality willing to bypass legality for ideological gain, while Trump is driven solely by self-interest.

The film poignantly illustrates Trump’s evolution into a figure solely focused on personal gain, culminating in a powerful scene juxtaposing Trump’s plastic surgery with Cohn’s funeral. This sequence echoes the iconic baptism scene in Francis Ford Coppola’s “The Godfather,” symbolizing a final transformation into villainy.

The Apprentice’s Commentary on Modern Politics

“The Apprentice” purposefully critiques the current political landscape by paralleling Trump’s early years with his recent political ascension. Despite its critical stance, the film may have limited impact on Trump’s existing supporters, as criticism often seems to fall on deaf ears. Nevertheless, the film stands as an engaging and thought-provoking biographical piece, skillfully navigating the complexities of its subject matter.

Kolbeinn Rastrick, a master’s student in film studies at the University of Iceland, reviewed “The Apprentice” on Rás 1’s Lestinni program. His experience at RIFF and Stockfish film festivals enriches his analysis, offering a deeper understanding of the film’s artistic merits and cultural implications.

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